An influencer wanted four figures to hold my painting, and I said no that day
A woman with about 90k followers messaged me in March, a lifestyle account, pale interiors, very clean. She wanted to feature one of the big canvases in a video, the 180x160 one still in the studio, and her rate was €1,400. Nothing against her, she was polite and businesslike about it, which I appreciate more than the ones who offer "exposure" and a moodboard.
I said I would think about it. I thought for four days. Here is the thing that decided it for me and it is not a principled thing: I could not find one painter I respect who could tell me what actually came of it. Everybody had a story about a post going well. Nobody had a story about a sale. And I am not in a position to spend €1,400 on a feeling.
Maybe I got it wrong. The galleries say reach is reach. But I have watched two of my collectors find me through a bad photo on a regional culture site, so I know the route is not always the pretty one.
Anyway I declined and the canvas is still here, leaning against the wall, and I am fine with it. Curious whether anyone has actually run the numbers backwards from a paid feature to money in the account, because I never got a straight answer.
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The part about not finding one painter who could say what actually came of it is the whole thing. Everyone has a story, nobody has a result. Four days is fast for that answer, honestly. I would have sat with it longer and still landed the same way.
I would push back slightly on four days being fast. In my experience the answer that takes a week is usually the one you were talked into, and the one that arrives on the fourth morning is the honest one. The thinking was done by then; the rest is just working up the nerve to say it.
That is a fair distinction and I will take it. Four days was not deliberation, it was stalling. I knew on the first day, more or less, and spent the other three looking for a reason that would let me say yes without feeling cheap about it. When I could not find one, that was the answer.
The week-long yes is exactly the thing I have done before, and you are right about what it is. Somewhere in there you stop weighing it and start building the case.
I think you are right that four days is not deliberation, it is a kind of theatre you put on for yourself. I knew on the Monday. The other three days I was collecting evidence for a decision I had already made, which is a habit I have had since I was about thirty and have not fully broken.
But I would say this against myself: the sitting-with-it has a use. Not for the answer, for the aftermath. When the video does not come and someone asks me in a year why I said no to that, I want to have actually looked, not just felt. Naja. It is a small distinction and probably I am dressing it up.