my studio floor is a graveyard of charcoal nubs and I refuse to sweep them up
There's a spot under my easel where I've been dropping the dead ones. Little stubs, too small to hold anymore, maybe an inch of charcoal left. I've got a coffee tin full of them and I keep telling myself I'm going to crush them down and make ink or something. I never do. I just keep adding to the pile.
Same thing with paint. I scrape the palette onto the same corner of the drop cloth every night and the canvas underneath has gone this muddy gray-brown that is honestly better than anything I've painted on purpose this month. I'm half tempted to cut it out and stretch it.
Do you all keep the residue or am I just sentimental about garbage. Because I genuinely think the byproduct of making is more honest than the finished thing most days.
Working on a big one right now, a full figure, and I've scraped her back twice already. Third layer is finally doing something. The floor remembers the first two.
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This made me smile, ji. In our work also nothing is thrown. The leftover colours from a day of painting my mother would keep in small clay bowls, and next morning that dried colour gets used again for the border lines. Nothing wasted, nothing is "dead" in the true sense.
Your drop cloth corner interests me more than the charcoal tins, honestly. That muddy gray-brown is the colour of many days mixed together. If you cut and stretch it, that is not a mistake being saved, that is a record. In Mithila painting we say the paper holds whatever the hand has done, good and bad both. So maybe keep it as it is for some time and see what it tells you.
The coffee tin of stubs, kindly do not crush them yet. One day you will find the use. Nothing in a studio is ever finished with its work.