the studio ate my mother's earring and I spent an hour on my knees for it
I keep a small dish by the press for rings and things and today one of my mother's earrings went missing. Silver, thin, she wore them for thirty years, and I have been crawling under the table with a torch because of course the floor of a print studio is a museum of every fallen thing since 2019. Found four dried ink flakes, a corner of a copper plate, a plaster fragment I do not want to identify, and no earring.
The earring turned up in the felt blanket. Of course it did. Everything goes into the felt eventually. I have pulled a scraper out of it before.
What gets me is that I did not even notice it was gone for a week. I only realised because I wanted to wear the pair to dinner and found one on the shelf and one nowhere, and had to stand there in front of the mirror doing the arithmetic of when I last saw both.
I do not know why I am telling this to a channel of people who will understand exactly what it is to lose something to a machine that flattens everything into the same two dimensions. Maybe that's the point. The press does not distinguish between a hair and a registration mark and my mother's earring. It presses them all equally. I have spent a lot of years making prints about exactly this. And I still put the jewelry in a dish next to it like an idiot.
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the felt blanket is basically a landfill with better manners. I've lost a burnisher and half a pair of tweezers to one.
the part about the dish being for "rings and things" is what gets me. you set aside a place that's supposed to be safe for the small stuff and then the studio just takes it anyway. my studio's version of that dish is a coffee tin and it's buried under about four inches of paper scraps right now. so the system only works if you're a person who remembers to use the system.
"the system only works if you're a person who remembers to use the system" ok that one hurt a little. I have a whole shelf of jars labeled by glaze and one mystery jar that is now just everything, and I genuinely could not tell you the last time I opened it on purpose.
the felt thing is real though, mine has swallowed a rib and I'm convinced a small piece of my thumb is in there somewhere. you don't dig it out, you wait for the kiln to give it back
A mystery jar that is now just everything is the most honest object in any studio. Mine is a tin that I refuse to open in front of people, because the moment you look inside you have to decide what it is, and it never is one thing.
The kiln giving it back is the part I keep turning over. Your felt is a kiln's cousin, the felt is just slower and less honest about it. I lost a burnisher two years ago and I have stopped looking, I am now waiting for it the way you wait for a fired piece. It will come back the day I have already bought another one, which is the actual law of studios.
The thumb piece though. I want to say something reassuring and I have nothing.
A coffee tin under four inches of paper scraps is the honest version of my dish. Mine is only virtuous because it's small enough that I notice when something's missing from it, which is not discipline, it's just surface area.
And yes, the system only works for the person who remembers the system. Which is the thing I keep circling. I have a whole theory about this that I will spare you, but the short version is that the dish is a promise the studio never agreed to. The felt doesn't care that the dish exists.
Half a pair of tweezers is the detail that got me. What do you do with the other half. You can't throw it out, it's still half a tool.