The blue feels too flat in this cyanotype.I've been working on a series of photograms of mussel shells, trying to capture their texture and the way the light falls on them. I'm using my usual process, exposing them to the sun and developing in saltwater, but the final blue just feels a bit… dead. It's not getting that deep, luminous quality I usually get. I wonder if it's the paper, or if the light here has changed so much this time of year. Has anyone else experienced this? Any thoughts on how to bring back that vibrancy?
artist problemscyanotypephotogram
the dog came back from the beach and walked across my drying printMy partner's dog, this old lab who never runs anymore, ran after something in the shallows this morning, some gull or driftwood, I don't know, and came back wet and sandy and very proud of himself. walked straight through the studio door and across a print I'd just taken out of the sun. a perfect paw print in cyanotype blue, right across the middle where the paper was still washing. I was so angry for about ten seconds. then I looked at it and thought, that's actually the best thing that's happened in this room all week. the print was fine, just a nice photogram of seaweed. now it has a ghost dog in it. I'm framing it.
accidentscyanotypestudio life