the gallery that ghosted me after 3 months of emailsokay I need to know if this is just me or if this is universal, how did you land your first gallery showing? like the real first one, not the group show your friend curated. I've been sending portfolios out for months and the closest I've gotten is a gallery that was really warm via email for three months, asked for more photos, said they'd "circle back," and then just... stopped replying. I followed up twice and nothing. I don't even know if I should keep emailing them or take the hint. my own answer is honestly embarassing, my first "gallery" thing was a coffee shop that let me hang stuff near the bathroom. which was nice! but I'm trying to level up and I feel like I'm doing something wrong. tell me your first real gallery story, good or bad. did you email? walk in? know someone? I need to know what actually works vs what we're all just guessing at
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The gallery told me to "build my brand" so I went back to the darkroom and stopped answering emailsFor about a year I tried to do the Instagram thing properly. Reels, stories, a little carousel about my process. I was showing up, I was consistent. And it worked, in a way, more eyes, more likes, a few commissions. But I was spending the part of the day when the light is right sitting inside editing a video of the light. Last autumn I just stopped. Not deliberately, not as a strategy, I had a show to prepare for and the choice was between making the prints or making the content. So I made the prints. I'm not on TikTok. I don't have a newsletter. My website is a single page with an email address. And honestly? This year has been better than last. Not richer, but better, the people who find me find me through word of mouth, or because someone saw a print in a friend's house, or because they walked into the shop that carries my work. Every sale has a real thread attached to it. Nobody found me through an algorithm and asked for a discount. I don't think this is advice. It's not scalable and I'm not trying to make a living off prints alone, my partner works, I teach a workshop now and then. But the pressure to perform the making instead of just making is so constant that I wonder how many of us are burning our best hours on it. The sea doesn't care about your content calendar.
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