The soft pastel fixative trap, how do you deal with it?
I did a portrait yesterday I was genuinely happy with for once. Soft greys and a tiny bit of terracotta, the skin actually looked like skin. And then I sprayed fixative and it deepened everything by about two values and killed the light layer I had on top. So now she looks like she's in a dim room instead of the soft daylight I wanted.
I know you're supposed to test on scraps. I never do. I'm too impatient and then I pay for it.
Do you just... accept the shift and work lighter to account for it? Or is there a technique I'm missing? I've tried workable fixative between layers and final fixative at the end and it always changes something. Maybe I should just stop using it and keep everything under glass but then I worry about smudging when I ship.
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