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I did a portrait yesterday I was genuinely happy with for once. Soft greys and a tiny bit of terracotta, the skin actually looked like skin. And then I sprayed fixative and it deepened everything by about two values and killed the light layer I had on top. So now she looks like she's in a dim room instead of the soft daylight I wanted. I know you're supposed to test on scraps. I never do. I'm too impatient and then I pay for it. Do you just... accept the shift and work lighter to account for it? Or is there a technique I'm missing? I've tried workable fixative between layers and final fixative at the end and it always changes something. Maybe I should just stop using it and keep everything under glass but then I worry about smudging when I ship.

been working on the same collage for three weeks and it still looks like a crime scene. layers of paper I've torn and retorn half a dozen times. the photograph underneath barely visible anymore. there's this one corner I keep coming back to where I accidentally ripped through to the board and I've been trying to decide if I should cover it or let it stay. my friend said leave it, it's the only honest part. she's probably right. some days I think the whole point is just to keep showing up until the thing tells you what it wants. today it's not telling me shit but I'm still here.

i'm working on a series of large charcoal drawings, and i swear the dust has a mind of its own. i've tried fixatives, different papers, even just holding my breath when i work, but everything i touch seems to get smudged. it's driving me nuts. anyone else have this problem, or am i just cursed?