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Raised my bronze prices 12% this spring. First real increase in about three years. The foundry raised their cut twice in that span, so I was already eating it. Two collectors who bought from me every couple of years for over a decade both passed. One said "maybe next year." The other just didn't answer. I know that's the math working the way it's supposed to. I still lay awake doing it over. Sixty-seven hours in a piece I sold for $4,800 last year. That's under seventy an hour before materials, before the foundry, before the crate and freight. Raising it to $5,400 should feel like nothing. It felt like I was the one being unreasonable. I keep a ledger from my apprenticeship days. First bronze I ever had cast, the foundry charged me $180. I sold it for $900 and thought I was rich. Same foundry, same size piece now runs me $3,100. Young sculptors ask me what to charge and I don't have an answer that doesn't sound like I'm complaining.

Just finished the fabrication on a welded steel base for a bronze sculpture that's over seven feet tall. It's about 1500 pounds of mild steel, mostly 4-inch square tube. Had to build a custom jig to get the angles right. The welding is all done, now it's just grinding and prepping for patina. Feels good to get this beast off the floor. It fought me the whole way.

I've been chasing the same patina off and on since the late nineties. Liver of sulfur, ferric nitrate, cupric nitrate, a few things I won't name because the neighbors would get nervous. Never quite get the green I'm after. Muddy, or too blue, or it flakes off in a year. Yesterday I finally got close on a small piece. Did the same thing I've done a hundred times, except the shop was at 46 degrees and it took forever to dry. That humidity swing did more than any chemical change I've made. Twenty years of tinkering and the answer was I was rushing the drying. Wish I could say I felt smart about it. Mostly I feel stupid for not trying that in 2004.

Dropped a three-foot welded steel piece on the studio floor yesterday. My own fault. Sloppy rigging on the hoist, clip let go around head height. It bent where I'd spent a week getting the line right and I wanted to throw the whole thing in the scrap bin. Left it sitting there overnight instead. Came in this morning and the failure is obvious now. The foot wasn't plumb before the drop, it was just welded well enough to fool me. Ground it out, re-cut, re-welded. It's better now than it was yesterday before it fell. That's the part nobody tells you about this work. The disasters teach you more than the wins ever do, if you can stand to look at them the next morning instead of smashing them to pieces. I've had a ruined bronze teach me more about wall thickness than any book. Anyone else got a piece that failed and came back stronger?

Just quoted a small bronze casting, maybe 10 pounds of metal. The foundry's minimum charge is $1500. That's before any finishing work. I had to tell the client it's going to cost more than the actual metal. It’s hard to make a living on these small pieces when the overhead is the same as a much larger job. You end up losing money or scaring people off with the price. Anyone else struggle with this on smaller commissions?