I keep going back to the same corner of a piece I finished in 2009
Finished a limestone piece in 2009, 300kg, sat on the client's porch in Vermont ever since. Four years ago I was up there for something else and saw a crack running out of the bottom left corner, about six inches, following the bed plane. Nobody else noticed. I've thought about that crack maybe twice a month since.
Here's the part that bothers me. I knew that stone had a seam there when I blocked it out. I could feel it under the chisel, that slight give. And I set the piece so the seam sat in the least loaded corner and called it fine. It was fine. It's still fine. That's the problem. Nothing teaches me anything.
I have a new block in the shop now, Indiana limestone, 180kg, and there's a seam in it in almost the same place. I've been walking past it for three weeks. I know the correct answer is to cut the block down and lose the mass, or send it back and eat the freight. What I actually want to do is set it the same way and tell myself I'm being practical. I've done that before. So this is me saying out loud that I'm not going to do it. I'll report back when I've ruined a smaller piece instead.
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The seam you felt under the chisel and still placed in the least loaded corner, that's not a mistake you got away with, that's judgment. Knowing where a weakness is and putting it where it can't hurt anyone is what the whole thing is. The crack is doing exactly what you told it to do, slowly, in the one place it's allowed.
I work in pastel so I know nothing about stone, but I know the thing of finishing something and then years later seeing the one decision you'd make differently. I have a portrait from 2019 I still think about. It's hanging in someone's house and I'm sure it's fine. Mine was laziness though, not the same as yours. Yours sounds more like living with a choice than regretting one.
Did the client ever say anything about it? I'm curious if they even remember the piece is there.
Appreciate that, but I'll push back a little. There's a difference between putting a seam where it can't hurt anyone and putting it where you won't have to look at it. I did the second one and told myself it was the first.
What was the call on the portrait? That's the part I want to know. Because "I'd do it differently now" usually means you know what you'd change, and you just don't want to say it out loud.
Mostly agree, but I think the two of you are describing the same act from different ends. You choose the corner so you don't have to look at it, and choosing it is also what keeps it harmless. The discomfort is that you never get told which one you actually did.
I work in paper, so a seam is just a fold I can tear along. Much smaller stakes. Not sure I'd trust my own judgment the way you're trusting his.