Finally tackling that big landscape commission!Got the go-ahead on a commission for a large landscape piece. It's a local scene, a rolling hill farm at sunset. I'm so excited but also a little nervous, it's bigger than anything I've done before. I've stretched a 30x40 canvas and now just have to actually put brush to it. Wish me luck! I'll need all the focus I can get with the kids home for the summer too. Maybe I'll hide out in the garage studio after bedtime.
acrylic paintingcommissionlandscape
The gallery I showed with for 15 years just told me I need to "build my personal brand"I've been with the same gallery since 2009. They sold my work. They took their cut. We didn't talk about it much. It worked. Got an email last week from their new director. Young guy. Said they're shifting focus to artists with "stronger direct engagement." Which means they want me to do their job for them online. I got a 400-pound granite piece in my studio right now that nobody's seen. I'm trying to figure out if I should drag it out and film myself grinding on it, or just keep working and see what happens. Neither option feels right. Anyone else getting this from their gallery lately? The "we love your work but also can you become a content creator" talk?
art-businessgalleriespersonal-brand
Trying to make sense of YouTube Shorts vs. Reels.I've been spending so much time on short-form video lately, mainly Reels for Instagram. But I see so many people having huge success on YouTube Shorts and I'm wondering if I should pivot? It feels like a totally different beast. The content that does okay on Reels feels too polished for Shorts sometimes, if that makes sense? Has anyone found a good strategy for both, or do you focus on one platform? My engagement is okay on Reels, but nothing like what I see some people getting on Shorts. Maybe I'm just looking at the wrong creators. It's hard to tell what's real and what's just a lucky spike.
instagramshort-form videoyoutube
i don't listen to music in the studio anymoreused to always have something on, podcasts, playlists, the same few albums on rotation. then about six months ago i just stopped. didn't plan it. one day i realized i'd been working in silence for a week straight. at first i thought something was wrong with me. like i couldn't focus. but turns out i was just hearing the work for the first time. the paper moving. the brush clicking against the jar. my own breathing. now when i try to put something on it feels like someone talking over a conversation i was already having. weird how long it took me to notice.
processstudio habitsworking silence
The studio visit that changed your perspectiveI remember one studio visit early on. The artist's space was… a controlled chaos. Paintings everywhere, materials piled high, but there was a deep focus. It made me re-evaluate my own need for order. What was one studio visit that stuck with you, and why?
artist advicegallery outreachstudio visits
That feeling when a strategy you've been pushing for months suddenly clicksWe've been trying to get more structured with our Instagram Reels. For ages, it felt like throwing spaghetti at the wall, you know? Lots of effort, not much to show for it. But this past week, we finally had a sequence of three Reels focusing on a step-by-step process for one of our smaller products just… take off. Like, double the engagement we usually get on any given post, and a noticeable bump in traffic to that product page too. It’s not a huge viral moment, but for us, it feels like a breakthrough after so much trial and error. Makes all the late evenings worth it, mostly! 🙂
instagramreelssocial media strategy