The 15-second video that sold more than a month of nice polished postsI've been doing the whole "wake up, post a nice finished piece, tag materials, use hashtags, be consistent" thing for months and it's been working okay but like... okay. Then last week I was in a really bad mood about a painting I'd been fighting with for three days, the wash was drying wrong, everything was lifting when I went back in, and I just filmed myself scraping the whole thing off with a palette knife and going "well, that's going in the bin" and posted it on a whim. No caption strategy. Just pure frustration. That stupid, messy, nothing video has more saves and shares than anything I've posted in the last two months. And it's not even a good video, it's just real. I've had four commissions come through from it, including one from someone who said "I don't know anything about art but I felt that." I keep hearing we're supposed to "provide value" and "educate" and I'm not against that but I think maybe the value is just... letting people see you fail? In real time? Without making it a tidy lesson? I don't know, I'm still trying to figure out if I can be that messy on purpose or if it only works when it's genuine. Anybody else finding that the stuff you almost didn't post is the stuff that works?
real contentsocial mediatrust the process
My phone just died mid-call with a potential client and I'm pretty sure I blew it. UGH.Seriously. Had my phone plugged in and everything, then BAM. Black screen. No warning. Tried everything, it's just dead. We were talking numbers too, like, actual numbers. I'm hoping they'll call back or email but honestly, I feel like such an idiot. This never happens to me. Now I'm just staring at this blank screen wondering if I should just go paint something angry. Anyone else ever have tech betray them at the worst possible moment? So frustrated right now.
client callsfreelance lifetech fails
I stopped posting my finished paintings and started posting the ugly stages and people actually engage nowI spent years putting only the final work online. Perfect lighting, good photo, the painting resolved. Crickets, mostly. A few likes from other painters. A few months ago I was frustrated with a figure painting, the hand was wrong for the fourth time, the whole thing looked a mess, and I took a photo of it on the easel with my palette旁边, just to vent to a painter friend. I put it on Instagram almost without thinking. That post got more comments than anything I'd put up in six months. People like to see the struggle. They like to see that you also don't know what you're doing for a while. I think for a long time I thought showing process would somehow diminish the finished work, like revealing the trick. But most people aren't painters. They have no idea what goes into it, and watching something get ugly and then get pulled back out of the ugly, that's the part they actually want to see. I'm still not comfortable with it. I was trained to show only the resolved thing. But I can't argue with the numbers, and more to the point I can't argue with the fact that the conversations are better. People ask real questions instead of just saying "beautiful." Wondering if anyone else has found that the unfinished, uncertain thing gets more traction than the polished final version.
art-businessauthenticitysocial-media
The pigment is not behaving today!My apologies ji, but today the natural pigment for the blue colour is just not listening to me. I am mixing and mixing, using the same process my mother and grandmother taught me, but it is coming out dull, not the vibrant indigo it should be. This is the colour for the peacock's neck, you see, and it must be just so. Perhaps the humidity is too high in Madhubani today? It is frustrating when the materials themselves seem to have a mind of their own.
frustrationmithila paintingnatural pigments
Okay, so, that whole thing about accounts getting "shadowbanned" or the algorithm just deciding to tank your reach? I think I'm starting to see it with some of the gouache tutorials I've been posting on TikTok.Like, I'll get a video of me just doing a really simple wash technique, something I thought was pretty straightforward and maybe helpful, and it'll get like, 100 views total. Then I'll post a sped-up video of me painting my cat, Bartholomew, looking super derpy, and it blows up to 10k. Bartholomew, of all things! haha. I'm not saying cats aren't great, but it's so hard to tell what the platforms actually want or if they're just messing with us. It makes me wonder if all the effort I put into explaining the pigment mixing or the paper buckling is just… wasted on them? It’s frustrating because I want to share the skill of it, you know? Omg, anyone else feel like they're just throwing paint at a wall and hoping something sticks with the algorithm gods lately?
algorithmcontent creationtiktok
The Curious Case of the Vanishing Engagement RateI've been tracking the analytics for a client's Instagram account, and we've seen a peculiar drop in engagement over the past quarter. Likes and comments are down about 15%, and reach has plateaued despite consistent posting. The content itself hasn't changed drastically – still high-quality photography and relevant captions. My suspicion is that the algorithm is simply prioritizing different types of content now, perhaps Reels or Stories, and our static posts are being de-prioritized. It's frustrating when established tactics start to falter without a clear reason. Has anyone else observed a similar shift recently?
analyticsinstagramsocial media marketing
The melon study that almost made me quit paintingI spent three weeks on a 30cm still life of a split melon last month. Three weeks. I was chasing a particular green in the rind, that pale celadon just under the skin, and I couldn't land it. Every session I'd scrape it back and try again. My husband started giving me that look like maybe I needed a walk. Yesterday I walked past it in the studio and realized I don't hate it anymore. It's not perfect. The green still isn't what I was after. But there's something about the light on the cut face that I actually got right, and the seeds have this little accidental life to them that I couldn't plan if I tried. I don't know why I'm telling you this except that painting is mostly failure and I think we should say that out loud more. The three weeks of frustration are invisible in the finished thing but they're what it's made of. And that's fine. That's the work.
oil paintingprocessstill life
my palette this morning looked like a crime scene and I loved itI've been mixing the same terre verte and lead white for three days trying to get a shadow on a white tablecloth right. This morning I scraped the whole thing off in frustration and started again. The palette ends up this mess of grey-greens and dirty creams, paint built up at the edges, turps everywhere. My husband came in and said "are you okay in here" like he was checking on a hostage situation. But the thing is, when the palette looks like that, when it's genuinely ugly and you don't care because you're inside the problem, that's when the painting starts to come right. The nice tidy palettes are for people who haven't started yet.
oil paintingpaletteprocess
Painted the same hydrangea four times this week and the fourth one made me cry in my studioI bought a hydrangea from the bodega on Monday because it was the exact blue of something I couldn't stop thinking about, and I've been painting it over and over trying to chase that color down. The first three were disasters, too muddy, too flat, I kept killing the translucency by overworking it. Last night I was so fed up I almost scraped the paper clean and gave up. But I sat with it for a minute and just looked at the actual flower instead of my painting of it, and I realized I was trying to paint what I remembered the color to be instead of what was actually in front of me. So I started over, fresh paper, wet the whole thing fast, dropped the pigment in and barely touched it after. And it just… worked. The light caught it and I actually gasped. I sat there crying on my studio floor at 11pm holding a wet painting of a flower and my partner came in and was like "are you okay" and I just held it up and they hugged me lol. Anyway that's the whole thing. I love this dumb frustrating medium so much. Has something ever come together for you in a way that made you emotional?? I want to hear about it.
paintingsmall winswatercolor
the way i start painting is genuinely embarrassingok so i KNOW this is gonna sound ridiculous but i cannot start painting unless i've done the exact same stupid ritual first, i have to make a cup of tea, i have to light this one specific candle my partner got me, and i have to put on the same playlist i've been using for like three years now. it's not even a good playlist, it's just a shuffled mess of stuff i added when i was 19. there's some owl city on there still. owl city!!! and if i skip any of these steps i will literally just sit there staring at my paper for 20 minutes like a malfunctioning robot. i keep trying to break out of it because it feels so silly and precious but honestly??? every time i've tried to just "go for it" without the ritual i've messed up the first wash within minutes and gotten frustrated and quit. so maybe the ritual is actually functional and i should stop being embarrassed about it? or maybe i need to finally delete owl city from the playlist. one of those. does anyone else have a weird little thing you HAVE to do before you can work or am i uniquely insane here
ritualsstarting outstudio habits